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The Effect of Left-Right Reversal on Film: Watching Kurosawa Reversed

  1. Marco Bertamini
    1. Department of Experimental Psychology, University of Liverpool, Liverpool, L697ZA, UK
  2. Carole Bode
    1. Department of Experimental Psychology, University of Liverpool, Liverpool, L697ZA, UK
  3. Nicola Bruno
    1. Dipartimento di Psicologia, Universita di Parma, Parma, Italy
  1. e-mail: M.Bertamini{at}liv.ac.uk
  2. e-mail: C.Bode{at}liv.ac.uk
  3. e-mail: nicola.bruno{at}unipr.it


The mirror reversal of an image is subtly different from the original. Often such change goes unnoticed in pictures, although it can affect preference. For the first time we studied the effect of mirror reversal of feature films. People watched Yojimbo or Sanjuro in a cinema, both classic films by Akira Kurosawa. They knew that this was a study and filled out a questionnaire. On one day Yojimbo was shown in its original orientation, and on another day the film was mirror reversed. Sanjuro was shown reversed on one day and non-reversed on another day. Viewers did not notice the reversal, even when they had seen the film before and considered themselves fans of Kurosawa. We compared this with estimates from a survey. In addition, the question about the use of space (scenography) revealed that although people who had seen the film before gave higher ratings compared with those who had not, this was only true when the film was not reversed.

Article Notes

  • Corresponding author.

  • Received May 15, 2011.
  • Revision received June 22, 2011.

This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License (http://www.creativecommons.org/licenses/by-nc-nd/3.0/) which permits non-commercial use, reproduction and distribution of the work as published without adaptation or alteration, without further permission provided the original work is attributed as specified on the SAGE and Open Access page (http://www.uk.sagepub.com/aboutus/openaccess.htm).



This Article

  1. i-Perception vol. 2 no. 6 528-540
  1. Free via Creative Commons: CC
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